The House That Dripped Blood (1970)

 The House That Dripped Blood (1970)

Synopsis:

The House That Dripped Blood is an anthology horror film, split into four eerie stories centered around a mysterious house. Each segment delves into the lives of different tenants who experience supernatural events, often leading to terrifying consequences. The connecting narrative involves a police inspector investigating the strange disappearances of the house’s occupants. From cursed waxworks to a vampire in disguise, the film touches on various horror subgenres, weaving a chilling atmosphere throughout.

Trivia:

• This movie was produced by Amicus Productions, a British studio known for its anthology horror films in the 1960s and 1970s, in contrast to Hammer Films' more straightforward horror approach.
• Christopher Lee and Peter Cushing, both horror legends, shared the screen again in this film, adding to their long list of collaborations.
• Ingrid Pitt, the glamorous star of Hammer Horror films, is featured in one of the segments, bringing her signature charm and menace to the role.

Director:

• Peter Duffell directed this anthology, marking one of his most notable entries into the horror genre. This film is often seen as his standout work, though his filmography leans more toward thrillers and dramas.

Rating:4/5 stars. 

The House That Dripped Blood delivers well-crafted, atmospheric horror, with performances from genre icons. Some segments may feel uneven, but overall, it’s a haunting treat for fans of British horror anthologies. The House That Dripped Blood is a prime example of British anthology horror, blending mystery, supernatural elements, and psychological thrills. The film benefits immensely from its cast, with Christopher Lee and Peter Cushing delivering solid, often understated performances that anchor the film in its more serious moments. The segments have a subtle, creeping tension rather than overt jump scares, which adds to the film’s unsettling atmosphere.

While the structure of the anthology works well, some of the segments feel stronger than others. "Sweets to the Sweet," featuring Lee as a father hiding dark secrets from his daughter, stands out for its chilling psychological intensity, while "The Cloak," with Jon Pertwee and Ingrid Pitt, leans into a campier horror-comedy tone that might not sit well with all viewers. The variety in tone between the stories is both a strength and a potential drawback, depending on how much you enjoy this mix.

The film’s pacing can feel slow by modern standards, but it’s a deliberate choice that builds suspense rather than offering constant thrills. The gothic aesthetic, combined with the understated but effective special effects of the time, keeps it visually engaging. Overall, The House That Dripped Blood earns its 4-star rating for its atmosphere, performances, and its place as a significant entry in the 1970s British horror canon, though it loses a star due to the unevenness of the stories.

Comparison:

The House That Dripped Blood bears similarities to the more modern horror anthology series American Horror Story (2011–present), particularly in its ability to explore different subgenres within the horror umbrella while connecting them through an overarching narrative. Much like American Horror Story, this film keeps viewers on edge with a variety of unsettling stories that range from psychological horror to the supernatural. When comparing The House That Dripped Blood to American Horror Story (2011–present), the similarities lie in the anthology format and the ability to explore a wide range of horror tropes. Both properties embrace the idea of telling distinct stories with a shared thematic connection—in the case of The House That Dripped Blood, the ominous house, while American Horror Story often connects seasons with recurring actors and intertwined plots.

Much like American Horror Story, this film shifts between horror subgenres, from the psychological to the supernatural to the macabre. The main difference is in the delivery; where American Horror Story is often graphic, modern, and unafraid to shock with explicit content, The House That Dripped Blood relies more on implied horror, mood, and atmosphere, which was common in 1970s horror films. The more restrained, British sensibility contrasts with the bold, sometimes outrageous nature of American Horror Story, but both keep audiences engaged with the unpredictability of the anthology format.

Additionally, The House That Dripped Blood's segment "The Cloak" adds a meta layer to its storytelling, much like American Horror Story: Roanoke (Season 6) does with its commentary on horror media and performance. Both properties blend horror with humor or self-awareness at times, creating an interesting balance that keeps viewers off guard.

However, while The House That Dripped Blood feels more polished in its narrative cohesion across stories, American Horror Story tends to go for a more chaotic, visceral approach, with stories and visuals designed to shock. If you enjoy the methodical, gothic creepiness of The House That Dripped Blood, you might appreciate the early seasons of American Horror Story—especially Murder House and Asylum—which similarly focus on haunted spaces and psychological dread.

Both are anthology staples of their respective times, each leaving a mark on the horror genre by experimenting with style, tone, and narrative flexibility.